Synopsis. After a fairy leader empowers them to save the World of Dreams, the Winx fight the Queen's demons and learn from Jim the truth about her shadow land. To complete a mission, the team splits up: One group goes to the World of Dreams to save Jim from the Alligator Man, the other hunts Matt in Paris. As Stella confronts her personalized enemy while spying on Matt at fashion school, other Winx race to free the pirates from the Queen's shadow traps. Flora uses her nature powers to find a lovestruck Matt in snowy Switzerland, unaware that the Queen has created a stony monster to destroy her. After a battle with Aisha's nemesis, the Winx reunite Matt and Wendy and go undercover to look for Peter Pan's sword in an art collector's home. As the Winx band deals with an onstage earthquake, Jim, Matt and the pirate army try to beat back the shadow monsters and breach the Queen's wall. The Winx join Matt and the repentant Queen in an epic World of Dreams showdown with Jim, then discover a familiar foe has a dangerous new identity.
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4:3 Edit. The next several formats have their roots in classic film photography image sizes, both the classic 35 mm film camera, and the multiple format Advanced Photo System (APS) film camera. The APS camera was capable of selecting any of three image formats, APS-H (”High Definition” mode), APS-C (”Classic” mode) and APS-P (”Panoramic” mode). 3:2 is used by classic 35 mm film cameras using a 36 mm × 24 mm image size, and their digital derivatives represented by DSLRs. Typical DSLRs come in two flavors, the so-called professional ”full frame” (36 mm × 24 mm) sensors and variations of smaller, so called ”APS-C” sensors. The term ”APS” is derived from another film format known as APS and the ”-C” refers to ”Classic” mode, which exposed images over a smaller area (25.1 mm × 16.7 mm) but retaining the same ”classic” 3:2 proportions as full frame 35 mm film cameras. The reason for DSLR's image sensors being the flatter 3:2 versus the taller point-and-shoot 4:3 is that DSLRs were designed to match the legacy 35 mm SLR film, whereas the majority of digital cameras were designed to match the predominant computer displays of the time, with VGA, SVGA, XGA and UXGA all being 4:3. Widescreen computer monitors did not become popular until the advent of HDTV, which uses a 16:9 image aspect ratio. Jogos de cassino eroticos.
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